Flemish painter Archives - Art and Design Inspiration https://artanddesigninspiration.com/tag/flemish-painter/ Inspiration for Creatives - Creativity is Contagious - Pass It On Tue, 19 Dec 2023 19:05:42 +0000 en-US hourly 1 https://artanddesigninspiration.com/wp-content/uploads/2017/10/cropped-ArtPalette-32x32.jpg Flemish painter Archives - Art and Design Inspiration https://artanddesigninspiration.com/tag/flemish-painter/ 32 32 Anthony van Dyck – Prominent 17th Century Flemish painter https://artanddesigninspiration.com/anthony-van-dyck/ https://artanddesigninspiration.com/anthony-van-dyck/#respond Fri, 22 Mar 2013 02:57:06 +0000 https://artanddesigninspiration.com/?p=822 Anthony van Dyck – Famous Painter of Kings and Queens in 17th Century England Anthony van Dyck was born March 22nd 1599 and by...

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Anthony van Dyck – Famous Painter of Kings and Queens in 17th Century England

Anthony van Dyck was born March 22nd 1599 and by the age of fifteen, he was already a highly accomplished artist. Van Dyck was the prominent 17th century Flemish painter and Flemish Baroque artist who became the leading court painter in England.

He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years. He also painted biblical and mythological subjects, displayed outstanding facility as a draftsman, and was an important innovator in watercolour and etching.

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He was well paid for paintings and was an immediate success in England, rapidly painting a large number of portraits of the King and Queen Henrietta Maria, as well as their children. Many portraits were done in several versions, to be sent as diplomatic gifts or given to supporters of the increasingly embattled king. Altogether van Dyck has been estimated to have painted forty portraits of King Charles himself, as well as about thirty of the Queen, nine of Earl of Strafford and multiple ones of other courtiers. He painted many of the court, and also himself and his mistress, Margaret Lemon. In England he developed a version of his style which combined a relaxed elegance and ease with an understated authority in his subjects which was to dominate English portrait-painting to the end of the 18th century.

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